Palace Opera & Ballet

Adelaide’s exclusive home of The Royal Opera House, La Scala & Opéra de Paris

Discover works from Europe’s finest companies – filmed live on stage and screening at Palace Nova Prospect only weeks later!

"Living in the digital age is a blast, isn't it? Nowadays great operatic and ballet performances that would previously cost you $200 (not to mention a $2,000 plane ticket) have become regular fixtures at your local cinema. Palace Opera & Ballet are at the forefront of this truly democratic revolution."

 Clive Paget, Limelight Magazine


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La Scala: Macbeth E From: Jan 30, 2022
Musical Director Riccardo Chailly completes the series of interpretations of Giuseppe Verdi’s “youthful trilogy”
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Royal Opera: Tosca E From: Feb 13, 2022
A romance, a tragedy and a thriller – travel to 19th century Rome with Puccini’s great opera of passion and politics.
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Royal Ballet: Romeo & Juliet E From: Feb 27, 2022
Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a great modern ballet classic of the world repertory.
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Opera de Paris: The Marriage of Figaro E From: Mar 27, 2022
Mozart and Da Ponte’s take on Beaumarchais’ comedic play is one of the repertoire’s most iconic works.
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Royal Opera: Rigoletto E From: Apr 23, 2022
The Royal Opera House celebrated the 171st Anniversary of Rigoletto’s premiere with a new production directed by Oliver Mears.
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Royal Opera: La Traviata E From: May 15, 2022
Richard Eyre’s time-honoured production of Verdi’s masterpiece recently celebrated 25 years on the Royal Opera House stage.
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Opera de Paris: Cinderella E From: May 29, 2022
Jules Massenet no doubt sought to enchant his era when he set Perrault’s fairytale to music, offering us one of his most attractive works, quite unlike other operatic ada
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Royal Ballet: Swan Lake E From: Jun 19, 2022
Liam Scarlett’s glorious production of Swan Lake is testament to the late choreographer’s abiding love of classicism and innate musicality.
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Opera de Paris: Platée E From: Jul 31, 2022
A nymph reigning over a watery empire” or an “absurd Naiad”? Who exactly is Rameau’s strange creature sung by a countertenor and who shatters the conventions of opera?
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